Tuesday, October 2, 2007

Must Read: The Death of Relativism

There is nothing else I can add to this brilliantly written piece by Judea Pearl, father of murdered journalist Daniel Pearl.

The Death of Relativism
The film A Mighty Heart goes too far in likening my son's murders to the Guantanamo regime

The Guardian

I used to believe that the world essentially divided into two types of people: those who were broadly tolerant, and those who felt threatened by differences. If only the former ruled the earth, I reasoned, the world might know some measure of peace. But there was a problem with my theory, and it was never clearer than in a conversation I had with a Pakistani friend who told me that he loathed people like George Bush who insisted on dividing the world into "us" and "them". My friend did not realize that he was in fact falling straight into the camp of people he loathed.

This is a political version of a famous paradox formulated by Bertrand Russell. The stronger you insist on the necessity of tolerance, the more intolerant you become toward those who disagree. The moral lesson is that there is no such thing as unqualified tolerance; ultimately, one must be able to expound intolerance of certain ideologies without surrendering the moral high ground normally liked to tolerance.

Which brings me to my son, Daniel Pearl. Thanks to the release of A Mighty Heart, the Angelina Jolie movie which premiers in the UK this week, Danny's legacy is once again receiving attention. Of course, no movie could ever capture exactly that magical combination of humor and integrity, gentleness and resilience, that made Danny so admired by so many. Still, traces of these qualities are certainly evident in A Mighty Heart, and viewers will leave the cinema inspired by them.

At the same time, I am worried that the film falls into a trap Russell would have recognised: the paradox of moral equivalence, of seeking to extend the logic of tolerance a step too far. You can see traces of this logic in the film's comparison of Danny's abduction with Guantanamo (it opens with pictures from the prison) and of al-Qaida militants with CIA agents. You can also see it in the comments of the movie's director, Michael Winterbottom, who wrote in the Washington Post that A Mighty Heart and his previous film, The Road to Guantanamo, were very similar: "There are extremists on both sides who want to ratchet up the levels of violence and hundreds of thousands of people have died because of this."

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